“Not Cheetos! Cheetah!”

Five years old is such a wonderful age, and my five year old grandson asked me if I would make him a Cheetah quilt. “Cheetos?” I asked. “I think it will be really hard to find fabric with Cheetos on it.”

“No! Not Cheetos! Cheetah!” he screamed! We went through this same conversation several times for months, while I sought out the right fabrics.

I had a wonderful piece I had bought in the airport in Lusaka, but it didn’t have a Cheetah, it had a Leopard, and I knew he would know the difference.

And I did have a beautiful, sort of sepia tone Cheetah panel, but how to integrate them? Finally, I used the Big Five panel for the back, and the cheetah panel, and a lot of leftovers from previous African quilts, on the front. I put loops at the top so it can be used as a quilt or used as a hanging, and hung with either side showing.

He loves the quilt. Right now it is on his bed.

Finished Aging Out Quilts For the Record

45 Minute Quilt and Machine Quilting Inspiration

It’s not that I haven’t been quilting, but November and December I spent my quilting time babysitting my sweet adorable endlessly fascinating grand-daughter, and now I am scrambling to catch up.

I’ve got two quilts promised next week for young men aging out of the foster care system, and I am down to the wire on the last one. I saw a video on making a quilt in 45 minutes. No, it is not possible, but I was intrigued by the technique. You take – in her case, I believe 33 width-of-fabric strips, connect them with diagonal joins (the kind you make for binding), then you start sewing by taking the end and stitching it to the beginning, lengthwise.

That first seam is a doozy. You cut the fold when you reach the end. The second seam, when you take the end and start stitching it to the beginning, lengthwise, is only half as long :-). The third seam is only half the length of the second. In total, you sew like five long seams, because at the end of every seam, you cut the fold. You get 16 + 16 and you have a 32″ quilt wide, and maybe 47 inches long. I can’t tell you exactly, because of course, I didn’t do it the way she said. I threw in lots of scrap 2.5 inches here and there for visual interest, and then did a second one using 66 strips (around 1600 linear inches in the first strip).

It is a fun and easy way to use up scraps, and the result doesn’t look like you just threw something together, it has visual interest. I shared it with my quilting buddies, and they have run away with it. We discovered that if you cut the strips 3.5 inches for a 3 inch strip, you end up with a 48″ wide quilt, which is closer to what we need for single bed sized quilts.

The problem – how to quilt. It stymied me for a while, and then I went to my notebook, where from time to time I draw designs I have seen that I want to think about using. There I found the perfect pattern for the African fabric quilt I am trying to finish:

You see this everywhere in Africa. For some reason I think it is called squash blossom, but I do not know why I think that. It takes me a little longer, but I love the repetition, and I am nearing the end:

Here are the quilts I have just about finished:

And this is my experiment with 1600+ inches; it turns out vertical because I made it 64″ wide. When you are working with 2 1/2 inch strips, your finished strip piece will always be either 32 inches or 64 inches, adding strips just varies the other dimension. To get anything besides 32 or 64 inches, you have to vary the strip width.

I realize this is not very clear.

This is actually called the Jelly Roll Race, by Jenny Doan. Here is the Jenny Doan video I watched.

Stars of Sossusvlei

I am not doing such a hot job of record-keeping here; I finish something and it is out the door before I enter it. Oh aarrgh.

I did another Sloppy Stars demo several months ago with African fabrics (I still have a lot in my stash, so you will probably see yet more . . . ) and had enough for two bed-sized quilts for one of our bee projects . . . I still have one more chance to photograph them before they disappear, but they are not with me.

Meanwhile, with the blocks I had left, I did a wall hanging quilt for us. I don’t do a lot of those, but this one contains some fabric I love and bought thirty-something years ago in Tunisia. I don’t even know if Tunisia even produces fabrics any more.

This is the hanging:

Sossusvlei is an area in the Namibian desert, where the ambient light is non-existent and you can see the rings on Saturn, the red-ness of Mars, and a million stars you never even knew were there. The sight is awe-inspiring and breathtaking. We were at the CCAfrica Lodge, now called And Beyond; it was so much fun. One of my best memories was riding ATV’s to the top of a mountainous rust-red sand dune for sundowners. 🙂

Update: Our bee has a project every year to benefit a local charity. This year we made quilts for one of the Waterfront Mission recovery houses. These are two more of the Sossussvlei quilts made for them. Actually, these are the original quilts and the one I am keeping for us is made with left over blocks from these. One of these is made with “light” background and one with “dark” background, all things being relative 🙂

This is my backing on the dark Sossussvlei Stars quilt”

African Dreams

I actually finished this quilt back in July, but it is a gift, and I didn’t want to take the chance of them seeing it before it was Christmas. They dream of going to Africa. It’s been a long time in the making; I started cutting for the quilt while I was still with the Q8Quilters, in Kuwait, gathered all the fabrics and pieces in the ubiquitous plastic bin, and hauled them to Qatar and then to Pensacola for more cutting and ultimately the piecing. This is one of those quilts that was a lot of fun to work on because I loved the fabrics so much.

(It looks lumpy because my trial wall hangs over my book/storage cases, and sometimes things from behind poke out and make the quilt bulge in some places)

Many of the fabrics are genuine fabrics I have found in Africa, have been given by people who lived in Africa, or were sold to me by Africans. Some batiks I found at a little shop in Edmonds, WA, where they sell objects made by African women as a means of supporting themselves. As I have less and less genuine African fabric left, the quilt pieces I use are smaller and smaller! I hate to waste a single fragment!

I tried some different kinds of quilting on this, and while it went together quickly and was fun to put together, at the end, you have all this bias edge and it is hard to make it all match up, or at least it was for me. I love the look, and one day I may try another, but I will be thinking how to avoid having that bias on the outside edges, hmmmmmmmm. . . . . (thinking)

Fabric To Make My Heart Sing

Today I am cutting for a new quilt, another scrap quilt, another Africa quilt. I came across this wonderful piece of fabric. I believe I got it from my French quilting friend who lived in Ghana, but it also may have come from the international trade fairs in Qatar, where Africans would come and sell their fabric.

Did you know that fabric manufacturing in Africa has been hit hard? The problem is what they call “Dead White Peoples’ Clothes.” Bales and bales of used American clothing land in African countries, and no one believes that living people would part with clothing in such good condition, therefore, dead peoples’ clothes. Bales and bales and bales, literally TONS of clothing dumped in Africa, and it has nearly killed the need for locally produced fabrics and clothing.

This fabric celebrates the Nonvitcha à Grand Popo, which I can only guess is a celebration either of the birthday of or the reign of “The Grand Popo” of Benin. That guess would be wrong. Wikipedia says the Grand Popo is “a town, arrondissement, and commune in the Mono Department of south-western Benin.”

Don’t you love this fabric?

VIQ (Very Important Quilt)

The problem with a very important quilt is that you can over think. I know what I want a baby quilt to be – I want it to be colorful. I want it to be lovable. I want it to be big enough to go to pre-school and kindergarten for nap time. I want it to end up a beloved rag, dragged here and there, washed innumerable times, all used up.

I’ve probably made a hundred baby quilts. But when it came to a quilt for my first grandchild, I dithered. Nothing I could come up with was good enough. Finally, I had to give myself a good talking to, “JUST GET STARTED!” I yelled at myself in a figurative way. Just do it.

It’s an OK quilt. Not the best effort I have ever put forth, but I came to the conclusion – it’s not the quilt that is important, but the recipient. God willing, he will love it because it came from me, and because I am a safe place, a place he can count on for unconditional love.

So – it’s just a quilt. For a very important Quentin! 🙂

African Pathways Quilt

I know it looks like I haven’t been producing for a while and to some extent, it is true. I am working on a mystery quilt, I am working on a serious hand applique border to a pineapple quilt, and I have finished a few little projects but I forgot to photograph them, and once they are gone, they are gone, sometimes I don’t even remember I did them!

This one I just finished, and it was a labor of love.

In June of last year, a dream came true – we were able to take our son and our daughter-in-law on safari with us in Zambia. We stayed in the Robin Pope Camps – Tena Tena, Nsefu and Nkwali – and a second dream came true – at Nkwali, we stayed in the famed Robin’s House, which was pure heaven for a party of four who would then be going in separate direction. A third dream came true – they loved the trip as we hoped they would.

I had intended to make this quilt all along – for our son and his wife – and I started it, and had a lot of fun with it. I’ve been collecting fabrics forever with an African theme, and then a good friend had spent several years in Africa and I begged for some scraps from her, which she gladly and generously gave me.

Then my husband had a trip scheduled to the states unexpectedly, and I have an opportunity to get the quilt sent back with him. It hurried the process a little. I had it all put together and machine quilted, but I wanted to quilt some animal tracks on the paths. More on that later.

I don’t have a way to hang the quilt properly to get a good full scale photo – the quilt finished size is 84″ x 84″ – so I put it on the floor, climbed a ladder, shot the quilt and then tried to shop out all the background, so that is why it all looks so funky.

My husband says he loves this one almost as much as I Left My Heart in Africa.

I started with the Elephant tracks:

The elephant tracks took a lot longer than I had thought they would. I had done them on the entire path. Time is growing short. I did one set of lion prints:

And then, nearby, I did one set of impala tracks:

That is going to have to do. I told my husband, whose tracking book I had used to do the animal prints, that the hungry lion was waiting in the bush and ate the impala, and that is why there are so few lion and impala prints. :-0

Here is the label on the back (you can see the backing fabrics on the entry for March 2, 2009)

The rest of this entry is purely for people who love fabrics. You have been warned. 🙂

There is one fabric in this quilt that is almost thirty years old. It is the remainder of three meters of fabric I bought when we lived in Tunisia, lo, these many many many years ago. I loved it then, and I love it now. It has been in all three of the Africa quilts, in many other quilts made for family members and close friends, and now I am down to mere scraps, fortunately, enough to include in this quilt, because Tunisia, although North African, is truly also Africa. The pattern featured Bedouin jewelry patterns, the hand of Fatima, crescents, special pins to hold the sefsari together at the shoulders – and it is in turquoise and purple (be still my heart!) with black and white accentuation. Here it is featured in the center, and the second scrap is in the upper right quadrant of the quilt:

I was really really lucky to have a good friend who had also lived in Africa – she shared some scraps with me. There are people who might think some of them are ugly – an artist friend of mine told me once long ago “there are no ugly fabrics, only people lacking in imagination.” She also told me “the eye will blend!” two mantras I repeat to myself when I start obsessing over just the right fabric or just the right placement. She was right. You can cut chunks out of fabrics, any fabric, and make it work. There are some really really fun fabrics in this quilt:

Don’t you just love it? This one was from a big orange, very orange celebration of Gabon’s independence!

This fabric was from Senegal; don’t you love the digitalized palm tree?

I will admit, it was a challenge for me working in browns and yellows, not my favorite palette at all, but I find when I force myself out of my comfort zone, I grow, and learn to see thing in new ways. Some of the colors here I really did not like, but my artist friend was right – the eye will blend. Africa is a country of enormous diversity, and the quilt incorporates some wildly disparate colors, prints and values.

African Pathways is made with two simple blocks – a hatchet block, sometimes also called an anvil, and a 4 patch. In this quilt, all blocks were 4″ finished. The hatchet block is made by stitching a 2 1/2 incl square diagonally across opposite corners (diagonally) and cutting off the excess, leaving a 1/4 inch seam, flipping the top down and ironing, and a four patch is made up of 4 smaller blocks, cut 2.5 inches.

I have a friend who is a beginning quilter. When I showed her how the quilt was made, she said “Oh! I could do that!” It was an Obama moment – “Yes. You can!” 🙂 This quilt pattern is a real confidence builder, and a great teaching quilt.

There are many, many ways these flexible blocks can be put together. Other quilts using these blocks are here:

Hugs and Kisses
Reciprocals
Black and White and Blood all Over
Quick Quilts for Charity (Instructions for making two hatchet block quilts)

Here is my computer plan for the quilt; having the grid all mapped out helped me to plan the pathways and to know how many of each fabric to cut for pathways, how many 2 1/2 inch squares to cut for the 4-patches, and how to place them. The quilt is built in quadrants and then sewn together.

Happy Anniversary, lovebirds. 🙂

He Loves My Backsides ;-)

“I really love this fabric,” said my husband, fingering a piece of faded fabric with giraffes striding across the plains. He had just finished telling me about a man he had met and they discovered they were both quilter’s husbands, so they had a lot to talk about, including “har har har” how their wifes said they could quilt when they retired.

“Good reason to keep working,” they concluded.

“Why is it so faded?” he asked, and I reminded him that we live in a bright sunny country, and I keep this quilt wrong side up on the bed so the front part doesn’t fade. I make my quilts to be used, not kept in some dark closet, preserved for the ages. I want my quilts to be worn out. We aren’t going to live forever. I don’t care about a legacy – I want people to enjoy using the quilts I give them. My husband says he wants to be buried in this one.

Sometimes when you are working on a quilt, there are fabrics you love, but they just don’t work in the quilt you are making. That’s what happened with these. I managed to use small scraps of them, but the scale of the giraffe and the guinea fowl was so large that they wouldn’t fit in the pattern I was using. Since this is the first Africa quilt, and I had no idea I would ever make another, I wanted to use up all the Africa / Africa theme fabrics.

“Show me the backing on the newest Africa Quilt” he demanded, so I showed him and he loved those fabrics, too.

He was with me when I bought this one in the airport in Lusaka:

These were pieces I added to complete the back. I am glad I am married to a man who can appreciate fabrics!