I don’t finish quilts as quickly as I once did, and I’ve been working for a while on this one, but oh, what fun. I loved choosing the fabrics, I loved designing it, and I loved figuring out the quilting motifs for all the borders.
I had a conversation with a quilter in our small group who quilts exquisitely, both by hand and machine. I told her I was giving up on machine quilting. I don’t remember exactly what she said, but I found myself thinking that all I needed to do was to slow down and practice. I hated machine quilting when I started, but I got so it became acceptable. Taking it to another level is going to take some commitment. I’m no where near where I want to be, but I’m working on it, practicing, trying some new things, and there are elements that make me really happy.
Here are some close-ups. My favorite element is the paisley that turned into a minaret top in the purple hand-dye border.
I modified a technique my friend Paramjeet taught me. She encouraged us to go outside the lines, to try new things, anything we could think of. Nothing is out of bounds. The minaret tops have bands of zig-zag quilting, using a Coats and Clark metallic. I know there are people who say Coats and Clark is trash thread, but I have tried a lot of metallics, and the Coats and Clark metallics seem to break a lot less frequently than others.
For the yellow segment above, I made an iris template from some Indian design books I have. I really love it, and used it again in the fuchsia border, which is supposed to carry a carpet-border sort of feeling. I used a contrasting thread and went over designs more than once.
The quilt is designed for a baby girl coming who is very special to me; I want her to grow to be a strong and clever woman, so I made her a strong quilt.