Cindy Needham Workshops

In the midst of a crazy schedule full of house guests, I had signed up for two workshops with Cindy Needham, workshops I wanted to attend so badly that I abandoned my house guests to their own devices and attended.

The first, on Antique Linens, showed many many ways of taking fragile old linens, cleaning them up, stabilizing them and underlining them to show them off to their best advantage. It was worth every minute.

The second workshop, another all day affair, was on Antique Feathers, but it was so much more. It was about creating heavily quilted backgrounds which allow the not-so-heavily quilted areas to pop out and catch the eye.

First, she gave us permission to make wonky feathers, and taught us several techniques for rescuing their wonkiness:

Cindy had prepared batts using silk duppioni and a wool batting for us to work with to see how different textures and weights affect our look (remember this is a workshop, so I am showing you my very imperfect results knowing that mistakes are how we grow!)

She gave us a lot of materials, and ideas for close quilting in the backgrounds using grids:

A lot of times, you take a workshop and think “I spent a day of my time for this??” but I would take a Cindy Needham workshop again in a heartbeat. She taught more than I can absorb, gave us extra on extra, and I will have months of homework to even begin to master some of the techniques she taught. She is a GREAT instructor, and a lot of fun.

I told her if she ever gets an invitation to the Quilt Expo in Kuwait, to go! Kuwait would love her, and she would love Kuwait!

Gift Kaleidoscope in Sea Colors

I am in the process of finishing up a number of quilts – not all, I still have a disgraceful number of quilts to be finished, many of which have been waiting more than ten years – oh no!

I have discovered I really love the look when the four corners that meet are all one color, forming one block; to me, it helps the flow into that swirling, interconnecting flow of sort-of-circles.

This isn’t really finished, but I wanted to get it this far so I would have something for our upcoming “quiet day” for our bee. No class, no business, just handwork, chatting and having fun.

When I make a sea-color kaleidoscope, I often make double – or more – the blocks I need. Now I am using up some of those unused blocks to make up some gift quilts – you know, you never know when you are going to need to give away a quilt. I have a pretty good idea who this one is for . . .

Kuwait Map Quilt

There is a new Kuwait baby quickly approaching his birth date, and a baby for which a very special quilt needed to be made. His parents were instrumental in our having had such a good time in Kuwait. We were introduced by one of my Qatari friends who had spent time in Kuwait, and she was right – we were meant to be friends.

The first night we met, we started talking and never stopped. We explored restaurants together, strolled through the souks, and heard all kinds of stories of old Kuwait. Our time with them was – and is – priceless.

I like for a baby quilt to have legs – useful as a crawl pad, useful as a cover to sleep under, washable, washable, washable and in the end, able to be hung on the wall of an otherwish anonymous college dorm room. This one will do the trick, plus having lots and lots of patterns to keep a baby fascinated as he learns how to focus his eyes

I’d forgotten how much work a map quilt can be in the preparation stages. This relatively small quilt (60in x 60 inches until I washed it and it shrank about 2 inches in both directions; I’ve never had that happen before! It was noticeable!) has 900 pieces, and those 900 pieces had to include sea pieces, Kuwait pieces and Saudi and Iraq desert pieces (pale, pale, pale) Of course, there had to be a lot of variety.

Seeking, planning and cutting took longer than assembly. The land portions are quilted in the ditch, a grid, and the Arabian Gulf segments have waves quilted in thin silver strands, so they glint like the sunlight on the Arabian Sea.

There are many many blocks made from fabric finds from the Kuwait souks, also a few with Kuwait memories. In Arabic, there are “sun” words and “moon words” so I found a sun and a moon. A family nearby us had a private zoo where, from time to time, a large cat would escape and put my village in a panic until it was recovered . . . so there is a large cat. In the end, this was one of the most fun and rewarding quilts I have made.

Happy Ending: Art Nouveau

Heidi Shelton taught Stack and Whack in Ramstein back in 1999, and I took her class, cut out these blocks, and stitched them together. She had advised us to use bright fabrics, but I just felt like this art nouveau fabric would make great blocks with graceful flowing patterns.

I love the blocks. I love the blue backgrounds. I could hardly wait to get it all together, which went very quickly.

But once I got the blocks together, and hung it up on the project wall, it was just . . . so . . . . BLAH. I was almost sick, I was so disappointed. I looked at it for about a week, at a total loss. I couldn’t think of how to fix it. I added a wide outer border with the original fabric – I like to do that with a Stack and Whack, because the inner blocks look so different from the original fabric. Then I looked at it for about a week, folded it up and put it away.

I pulled it out and looked at it every now and then, at a loss. It is rare that I am so stumped.

Maybe a couple years later I pulled it out. I knew it needed something red, so I put a narrow red band as an inner border, and added an outer border. I didn’t really add a lot of border because I didn’t want the quilt to get too big.

At least every time I moved I would pull it out and ponder what to do. I often pulled it out and asked my quilting friends what they would do. No one really had an idea. “Add an applique!” one friend suggested.

By 2009, back in Doha, I had some time. I had decided on an applique pattern; I designed it myself. Yes, it took me a while, but that is because I wanted it to be consistent with the Art Nouveau feel of the fabric. I love irises, and I had this great hand-dye fabric, not my favorite color, but a color which would brighten the somber mood of the quilt. I used freezer paper and hand appliqued the iris.

Once again, it didn’t do it for me. I love the irises. Somehow, to me, they are not what this quilt needs, but I don’t know what is. And 13 years is long enough, time, I figured, to just get on with my life. I need to get this quilt finished and OUT.

Here is the hilarious part. I ended up teaching Stack and Whack when we started the Qatar Quilt Guild in Doha. It was quick, it thrilled the beginners, and gave me a chance to teach a lot of skills (rotary cutting, the 1/4 inch seam, chain piecing, etc.) and technique while they produced a quick, usable quilt. Every time I taught it, I ended up with another stack and whack for myself, so I ended up with a lot of them – while the first one I ever learned, this one, languished, unfinished, on a shelf in many quilt rooms as I tried to figure out what to do to make it work.

Finally, I just decided to finish it, unsatisfactory as it may be. Even finishing it was a problem for me, tension problems in the quilting of the border, lots of “unstitching” and restitching to get it right . . . will this never end??

Now the good part. I had my daughter-in-law in my quilt room to show her Sheherazade, but she couldn’t keep her eyes off the stack n whack.

“I love it!” she exclaimed. “It’s Art Nouveau!”

I thought of explaining all the things that made this an unsatisfactory quilt – to me – but then I shut my mouth and thought – one look, and she got it. She got the fabric, she got the iris applique, she totally got it. Guess who gets the quilt, thirteen years after I started it?

Sheherazade: Magic Carpet

I don’t finish quilts as quickly as I once did, and I’ve been working for a while on this one, but oh, what fun. I loved choosing the fabrics, I loved designing it, and I loved figuring out the quilting motifs for all the borders.

I had a conversation with a quilter in our small group who quilts exquisitely, both by hand and machine. I told her I was giving up on machine quilting. I don’t remember exactly what she said, but I found myself thinking that all I needed to do was to slow down and practice. I hated machine quilting when I started, but I got so it became acceptable. Taking it to another level is going to take some commitment. I’m no where near where I want to be, but I’m working on it, practicing, trying some new things, and there are elements that make me really happy.

This is the finished quilt:

Here are some close-ups. My favorite element is the paisley that turned into a minaret top in the purple hand-dye border.

I modified a technique my friend Paramjeet taught me. She encouraged us to go outside the lines, to try new things, anything we could think of. Nothing is out of bounds. The minaret tops have bands of zig-zag quilting, using a Coats and Clark metallic. I know there are people who say Coats and Clark is trash thread, but I have tried a lot of metallics, and the Coats and Clark metallics seem to break a lot less frequently than others.

For the yellow segment above, I made an iris template from some Indian design books I have. I really love it, and used it again in the fuchsia border, which is supposed to carry a carpet-border sort of feeling. I used a contrasting thread and went over designs more than once.

The quilt is designed for a baby girl coming who is very special to me; I want her to grow to be a strong and clever woman, so I made her a strong quilt.

Razan’s Stars

My sweet friend was having a baby and would not tell me if it was a boy or a girl! I had some lushious saturated fuschias I was dying to use, but it’s a good thing I went with a neutral-gender palate – she had a healthy baby boy!

This is the baby quilt I made for Razan:

Star Quilt for Razan’s Baby

The squares are eight inch squares, the stars a little irregular, but stitched on tightly so that the quilt can be washed. Finished size 52 1/2″ square.

African Dreams

I actually finished this quilt back in July, but it is a gift, and I didn’t want to take the chance of them seeing it before it was Christmas. They dream of going to Africa. It’s been a long time in the making; I started cutting for the quilt while I was still with the Q8Quilters, in Kuwait, gathered all the fabrics and pieces in the ubiquitous plastic bin, and hauled them to Qatar and then to Pensacola for more cutting and ultimately the piecing. This is one of those quilts that was a lot of fun to work on because I loved the fabrics so much.

(It looks lumpy because my trial wall hangs over my book/storage cases, and sometimes things from behind poke out and make the quilt bulge in some places)

Many of the fabrics are genuine fabrics I have found in Africa, have been given by people who lived in Africa, or were sold to me by Africans. Some batiks I found at a little shop in Edmonds, WA, where they sell objects made by African women as a means of supporting themselves. As I have less and less genuine African fabric left, the quilt pieces I use are smaller and smaller! I hate to waste a single fragment!

I tried some different kinds of quilting on this, and while it went together quickly and was fun to put together, at the end, you have all this bias edge and it is hard to make it all match up, or at least it was for me. I love the look, and one day I may try another, but I will be thinking how to avoid having that bias on the outside edges, hmmmmmmmm. . . . . (thinking)

Flesh Tones

I have a lot less time for quilting, these months, with my husband retired and ready to play. When he worked long hours, I filled those long hours with my work – quilting. It takes focus, for me. When a quilt comes to mind, it is like a sort of engineering problem, and I am usually trying a new skill. I have a pretty clear idea where I am going but I need to work out how I am going to get there.

I have a great quilt in mind, I’m really excited about it. I am using some fabrics I bought at one of the European International Quilt Exhibits while I was living in Germany and going to European quilt exhibits . Different nationalities see colors, techniques and even traditional patterns very differently, so those exhibitions were always stimulating, and often even astonishing.

But I wander. The fabrics I bought are reproductions of very very old Dutch fabrics by Den Haag und Wagonmakers B.V, one including a tree of life panel, in which the fruit of the tree of life – or the tree of the knowledge of good and evil – is the pomegranate, which just happens to be one of my very favorite all time fruits.

I am working out the composition, but am a little bit stuck on flesh tones. I know the tone I want, but the flesh tones look different under different lights. Can you see the difference?

I may have to tea-dye one of the fabrics just a little darker, a tiny bit browner . . . I don’t know. I am stuck. I’ve been stuck before. It will work out, but I wish it would work out sooner rather than later.

Meanwhile, I have been burning the midnight oil working on little bags. But that’s another post, for when I have a photo of some of the bags I’ve made, at least the ones I have not yet given away!

Jewel Box Pieces

Here are the pieces for the Jewel Box:

Starring the half square triangle, which I chose to be 4″ finished:

The four patch, which I chose to be made of pieces cut 2 1/2 inches to total 4″ completed:

Each four patch is united with a half square triangle:

Completed component (1/4 of the finished block)

Completed block is composed of four component blocks, above, each rotated to complete the box:

My all time favorite quilt book is “It’s OK If You Sit on my Quilt” by Mary Ellen Hopkins, and I like it because it helped me quilt without having to follow someone else’s idea of how my quilt should be. When I found a jewel box pattern, it was bigger than I wanted, so I scaled it down. This jewel box pattern is a great practice for your first effort at changing scale, because the size you choose for your four patch and your half square triangle changes everything. You could use 1″ blocks, or you could use 12″ inch blocks, and the pattern would remain the same, only the scale would change.

I’ve seen this quilt done with a light background and with a dark background. I made one big mistake right at the beginning; I cut the half square triangle background out of a dark navy blue and the 2 1/2 inch background squares out of black. If I had it to do over again, they would be the same fabric.

If you want the variations in color, you will need small amounts of a LOT of fabrics; this is a great opportunity to ask for small donations from your quilting friends. What is fun is that you later can look at the quilt and remember who gave you that perfect shade of coral, or fuchsia, or pistachio, or parrot, that icy blue. I have a dress I love, ruined by a drop of bleach; a piece of that dress is in my quilt.

As I look at the completed top, below, I am reminded that classic patterns have their own timelessness and elegance, and can look totally different from one another, depending on fabric choices. I would do this one again in a heartbeat; I love the diagonal lines created by the half square triangles.

Jewel Box with Transitions

This is why I love quilting . . . for me, it is the challenge. I’ve always wanted to do a jewel box quilt, and I thought I was going to be making a scrap quilt. Somewhere along the way, I got the idea that I wanted it to be a transition jewel box, with purple in one corner, red in another, yellow in another and green in the final corner. The borders will have transitions from corner to corner, and then the center will have cross-transitions.

It’s not so easy when you make rules. I had to dig through my stash to find just the right shades, it took me longer to find and cut than it takes to sew up the blocks. This is not going to be quick and easy, aarrgh. On the other hand, I am having a lot of fun with the progress.

This is the only row I have completed; I also completed the yellow block for the bottom right corner, but have not yet done the red-yellow transition:

It will be a while before I can get back to this, as I am traveling. It doesn’t keep me from thinking about where I will go next!

UPDATE

I was out of town for a week and lost a little time, but not momentum. As soon as I got back, I started working on the Red to Yellow transition:

And the Yellow to Green transition:

Only six blocks left, all transitions! I have a busy week this week, don’t know if I will get it finished before Friday, but that is my goal. It’s not a hard quilt. It’s the color selection and cutting that takes the most time. I have to admit, there is something in me that loves this process; it’s not like just sewing the pieces together, you really have to think about it.

Final Update:

I love this quilt top. For one thing, it isn’t boring. I love watching the colors as they move across the quilt and change as they are influenced by other colors. It reminds me of my own life, all the different places I lived and how each place has had an impact on me, influenced how I perceived reality, grew in my spiritual life . . . It’s My Jewel Box Life.

I think I will quilt it by hand.