Slowly, slowly a ghostly record of my body of quiltworks builds. For those of you who have tuned in recently, this blog is my online record of quilts I have made. It will always be incomplete, there are so many I made and gave away without ever even labeling. Oh well!
When I made my most recent move, an entire box of quilt books disappeared. It makes me ill - some of the books were out of print, and I used many of them for teaching. I have been able to reconstruct a ghost of the library, and this blog is a ghostly reconstruction of the Quilt Diary I lost with the quilt books - samples of fabrics used, etc.
This was the second map quilt I made.I have a very citified, sophisticated niece, and I never dreamed she would want something so homemade as a quilt, but once, when she was staying with me, I asked her if she ever wanted a quilt, to let me know what she would want.
Without hesitation, she said “I already know what I want. I want a Morocco quilt like the Africa quilt you made for (your husband).
“Wooooowie! Oh what fun! I sent her into the quilt room to rummage through fabrics, and I hand her some sheets of paper, some scissors, a pen and some glue. She came back to me with three pages of fabric samples and why she wanted them in the quilt, what they reminded her of.
Oh, what fun - a collaboration.
This is the only time I have ever done mountains. I did some single mountains, and some smaller foothill mountains.
Because Morocco is shaped so oddly, I ended up with a lot of sea (which I love) and a lot of desert (which is kind of a drag). So in the desert, I put a surprise. I told my niece when I gave her the quilt that there was a camel.
She looked and looked, and only one day when she was standing far enough away from the quilt did she see it - and laughed!Can you see it, shimmering in the rising heat of the desert?

On the map I was using to do the graph, I found the warning below. My niece and I both speak French, and are undeterred by warnings, so I included it on the front of the quilt, bottom right corner.
UPDATE: TOO COOL! In my January cleaning up, I found the original graph for the Morocco Map Quilt, AND I found my niece’s fabric sheets - she chose the fabrics she wanted used and made notes as to where and why to use them.
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I’m glad I made this quilt when I did, althought I doubt my Dad ever used it before he died. He wasn’t really a quilt kind of guy. Whatever. I am glad for me, that I made it for him. It was made with some wonderful batik fabric with bear and moose on them, and I found some perfect batik fabric like Alaska salmon, and added some pine trees left over from one of my very earliest quilts (which I haven’t yet photographed!)
The blocks are bear paw, alternating with this wonderful north woods fabric. Yeh, it’s a little busy. I love it anyway. If I had to do it over again, I would use a plain black as the alternating blocks, but still use the northwoods fabric on the border.
There is one block in there that bugs me. You know how some very good batik fabrics are almost identical front and back? I can see one block that is going the wrong way. Wrong in that in all the other blocks, the animals are facing the same direction, but in one block they are facing the opposite direction. Would you have noticed if I hadn’t pointed it out?
I am gathering my “babies” photos as fast as I can. I have run into the priest for whom I made a quilt, and put a prize-winning entry on the back side, as he loved Paris. I am remembering two other quilts nearby I will attempt to photograph before I leave here. Woo Hoooooo!


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Emi and I met in Arabic classes, and oh what fun we had! She had so many official responsibilities, but we would arrange to meet up for coffee, to have an adventure now and then. Sometimes, we could even get our husbands away from their busy schedules and find a place to hideaway for some great conversation.
When Emi discovered they were leaving, it was the middle of summer, and there was no one in Doha except her and me! She, who had so graciously farewelled so many women, was left with only me to farewell her.
It was so wrong. We had a wonderful dinner together at a local restaurant they had never been to, and we gave her this quilt:

The quilt is called Sand and Sea, and has the colors of the Qatar desert and the Arabian Gulf. In the very center is a little girl, holding a Japanese flag - what serendipity that I had a piece of fabric from some Olympics or something, with that little girl! And there are Japanese cranes, which mate for life, and a chrysanthemum . . . all things Emi loved.
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Every now and then you take a risk. I was with people buying sari fabric at the LuLu Hypermarche in Doha, which, surprisingly, had a very good sari selecton, from the lower prices to the exquisite. My house guests loved going to the LuLu, and several bought sari fabrics at the LuLu dealer upstairs.
One time the salesman brought out sari fabric I had never seen before and never seen anything like it before - it was a creamy white, hand loomed, with gold metallic embellishments and weaving through it. At the end, where the fanciest part of the sari is, was a temple scene, all in gold and cream except for a row of umbrellas. The unbrellas were over elephant heads.
My Indian friends have told me it is an annual festival, held around February, in India where there are both elephants and unbrellas featured at one particular and very special temple. How totally fabulous is that?
I bought the fabric, I couldn’t resist. I have used all the lengths of creamy hand-woven fabric in countless ways, and the gold/cream trip of the sides was even in the Bride’s Bag, but the end - I sandwiched it and hand quilted it, and I use it as a wall hanging in my guest room. It never fails to give me joy with it’s serene, elegant and joyful colors.

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I love the hatchet block, and use it it a variety of quilts. This was for a new baby girl.
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Sometimes you need to do a baby quilt in a hurry. Fortunately, I had some nice fabric with teddy bears on it, and was able to put this one together quickly.
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This quilt began in a Mystery Night at Ramstein AFB, taught in 2002 (?) by Kimberly Einmo before her first book was published. Oh! We had so much fun, but making zillions of half square triangles was a chore.
The top went together quickly, but I had a photograph of a tombstone from when we visited Ireland, and I wanted to use it as a quilting motif in the white centers. I also found a Celtic border I liked, but it was very small, and I had to enlarge it over and over to get it to the proper size for my border.
The hand quilting took forever, partially because the white fabric was sort of rubbery, and hand quilting through it was tough. Aaarrgh! I didn’t finish hand quilting until I was back in the Kaiserslautern area for an emergency surgery, and had nothing to do by wait for my return flight to Doha and quilt!


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My friend Shirley and I were bored, and we challenged one another to this quilt. We had the patternm by Mimi Shimp, but we both changed it dramatically - I wanted the blocks in the order they were sung, so enlarged them all to 18 x 18. We also used the beautiful duppioni silks readily available in Doha, and other more difficult fabrics.
The main motif was totally hand appliqued, but the minor motifs were machine appliqued.
We had given ourself 6 months to get the blocks finished, and another year to hand quilt the resulting top. The reality - after 2 1/2 years, I machine quilted the finished top just to get it done. I am not unhappy. I love this quilt, and I will hang it for one month every year, from December 6th - the Feast of St. Nicholas - until January 6th, the Feast of the Epiphany.
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Helene taught our Saturday group how to do this easy tiled quilt, another of the stack and slash quilts. Again, I doubled the number of fabrics to make a larger quilt. You use freezer paper ironed onto the top fat quarter to guide your slashes.

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Our friend had a Grandmother shower for Cathy, and we all gave her presents for her new grandbaby. I made this baby quilt - it was one of my first adventures into machine applique, and I love it!

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